Dan and The Chairman Dances frontman Eric have a lively chat about his work with producer/auteur Daniel Smith (Danielson), touring with Rhett Miller, and all the work and thought and work and people and work that goes into being able to do things like that.
Ximena Violante and St. Clair Simmons, two members of the Latin folk/jazz/psychedelic group Interminable, sit down with Dan to talk about how they came to music, working in a band with so many different kinds of people and perspectives, how to tame a predominantly live sound in the studio, and coin the catchphrase "New People, Good Stuff".
Dan sits down with Sterling Duns and RB Ricks of Hardwork Movement to talk about their influences, their love of all things Philadelphia, and the philosophy behind what makes the group what it is. Keeping the conversation free and loose, there's a lot of laughs, and a lot to think about (definitely the first time bell hooks has been discussed extensively). This episode was co-produced by Kyle Pulley of Headroom Studios.
With their new LP, ‘Pineapple Slasher’, out in the world, Jon Urban and John Rinaldo talk with Dan about the making of the record, how Tiger Castle morphed into a proper band after years of being Jon’s basement solo project, and working with The Headroom’s Kyle Pulley (Thin Lips) to put the finishing touches on the whole thing.
In the second part of the conversation Dan and Brian talk more about Philly and it's music, Weathervane Music, and get into Brian's approach and philosophies towards recording and working with bands. And, of course, some good ol' geeking out about bands like Fugazi and Dr. Dog, to name just a few.
Dan went to Miner Street Recordings to talk with owner/producer Brian McTear, and it went so well, it became a two-part episode. In Part 1, Dan and Brian talk about Brian’s early days in the Philly music scene, the rise and fall of trends/attitudes/bands/venues, opening his own studio, and forming the non-profit Weathervane Music in ‘09 amidst a failing economy. Enjoy an acceptable amount of name checking, nerding out on gear, and great stories about the people who were there at the right time along the way.
Welcome to the first episode of a new format called The Debut. Periodically, Dan will sit down with an artist or group that has just released their first work out into the world. They'll focus on the path that led up to their debut release, and play and talk about some of the music. It's a unique chance to hear from an artist at a unique point in their career: the beginning.
This episode of The Debut is with Coleman Rigg, originally from Central PA, and now a part of the thriving Philly music scene. Check out his debut, self-titled EP and more at colemanrigg.com.
With her new record out, 'Wide Eyes, Brianna and Dan talk about her love of the electric guitar, her musician father's positive influence on her playing, and her competitive streak that drives her to be the best she can be. They talk about her time in the Temple University musician event group MEISA, their mutual love of Philly musicians like Abi Reimold and Ross Bellenoit, as well as their love for Dire Straits.
Dan rounds out the year with a collection of 2018 music from past guests. Enjoy the tunes, and Happy New Year. Go to 25oclockpod.com for the complete links to all the artists featured on this episode.
Dan saw Hemming (Candice Martello) play on a killer bill recently, and had to have her on to talk about her music, her fascinating trajectory as a musician, and colds. Candice and Dan chat about songwriting, the anxiety and fear in performing, being on the road with Chris Cornell, Rachael Yamagata, and Cayetana, and how she sometimes still needs a push from others to get her moving.
In the midst of working on her new full length LP, Kate Miller (aka Kate Dressed Up) sits down with Dan to talk about how she got here, how she writes, and how she wants to keep going further. Dan and Kate talk about their specific writing processes, Ani Difranco, Bright Eyes, having to do ‘everything’, collaborating with a couple of Ugandan musicians she met at a gig, and some mutual Asbury Park friends they didn’t realize they had until now.
No stranger to the show, Brian finally gets his very own episode (he's been a guest on Ep50 and Ep71). Dan and Brian talk about Brian's band, The Paper Jets, their new record, and their upcoming farewell show in Asbury Park. From his start as a jazz fan and sax player, to college where he got a crash course in rock and pop, to his evolution as a songwriter, Brian is a sharp and prolific musical mind, and he talks about his past projects as well as the next one he's got in the works.
Taking a break from the usual tried and true interview, Dan highlights 11 tracks from 11 Philadelphia area bands this week. Enjoy a mix of music from previous guests, as well as brand new folk that even Dan had never heard of until now. Check out the full track listing and artist links at 25oclockpod.com.
Logan Roth and Arjun Dube of Trap Rabbit talk with Dan about forming a musical bond early on in college, of moving to Philadelphia with seemingly no plan, and playing in a basement for hours and hours, becoming what we now think of as a highly energetic, bombastic instrumental duo. The Philadelphia community, the pros and cons of virtuosity, and the soundtrack to Sonic the Hedgehog are all on the table in this very spirited conversation with two young but very experienced players. Check out their EP, 'Empress', produced by Eric Bazilian (The Hooters).
From the posts on the Philly DIY boards to the mic, Dan and Rasan talk about Rasan's return to songwriting and playing after a few years laying low. His band, Rasan In The Heyday (emphasis on "In"), are working hard, playing tons of shows, and working on new material as we speak. Dan and Rasan talk over Rasan's upbringing, his senior project of having his first rock band, and their mutual love of acts like Tegan and Sara, Fiona Apple, and Regina Spektor.
Nick Rahn and Danielle Lovier have a band and a life together. Back from a long stint in New York City and here to stay, they talk to Dan about the differences in the scenes, writing together, different ways to practice, too many dogs in Point Breeze, and their band, all boy/all girl.
Dan has two punk rock musicians from Philly's rough-and-tumble 90s scene: Geeta Simons (Rockula, Swisher) and Christine Weiser (Suffacox, Mae Pang), to talk about their newest project, RunHideFight. They talk guitars, growing up, the fun and challenges of making music now, of the ever-pressing "balance" of being moms that rock (both literally and figuratively), and how RunHideFight is something of a Philly super-group, featuring Brother JT (The Original Sins) and Jon Kois (Marah, Three 4 Tens). The band has a new 7" coming out on Hidden Volume Records on 9/28.
Dan sits down in the control room of Uniform Recording to talk to producer/engineer/musician Jeff Zeigler about the life he's made making records and his own music in Philadelphia for the last two decades. While you might not know Jeff by name, you'd definitely be familiar with some of the artists he's helped: War On Drugs, Kurt Vile, Steve Gunn, Frightened Rabbit, and Waxahatchee's Allison Crutchfield, to name a few. He has a remarkable project called Valley Exit (the debut record gets Dan's big seal of approval), and has been a champion of Philadelphia talent from the get go. Dan and Jeff talk growing up in New Jersey, how to find punk in the 80s, starting your own studio, and the fun of working with really talented people who know what they want.
Returning to the table, Hayden Sammak, aka Deadfellow, talks about his upcoming record, 'Millennials In Love (And Other Pre-Apocalyptic Standards)'. Recorded in Nashville with Carl Broemel (My Morning Jacket) and Robert Crowell (ex-Deer Tick), and in Philadelphia with Phil Nicolo (Studio 4), the record is out 9/14. Hayden and Dan chat about working in the studio with your heroes, management changes, and the joys of being friends with some really high class musicians.
Hetepsa (Briana Mills) and Nu Ra (Mark Cave) chat with Dan about growing up in 'Uptown Philadelphia', going to a unique ag/tech high school and competing in farm competitions, and their path to forming Camp Candle and making their extraordinary music. They riff on old radio classics like 'Quiet Storm', talk about live shows, writing together, and the ever-changing city that is Philadelphia.
With his brand new release, 'Cissy', in tow, Sean and Dan delve into the deepest parts of that record. They also talk about Sean's journey from classical percussionist to 'slutty folk' musician, Bob Dylan, recording the record at a breakneck speed over a few days, and the chaos that is this modern landscape.
On her way through Philly on tour, Emily takes time out to talk to Dan about living in Buenos Aires, her love of words and languages, South American time management, and how the US looks these days to an ex-pat. Emily performs two amazing songs, one in Spanish, and is a voice you should acquaint yourself with right away.
Jacopo may be Italian born, but he's been all over the world and back, and it shows in his music. Part gypsy folk, part Balkan, part moody rock, all original, Dan and Jacopo talk about his many records and travels (including his 500 mile hike of the Camino de Santiago). Improvisation, touring Europe, the kazoo, and The Cure: it's all covered (and more) in this conversation.
In Part 2 of this conversation, Dan and Rocco talk in detail about Rocco's project, New Speedway, and the new record, 'Total Babe', out on Time Castle Recordings. The nature of psychedelia, working with limitations, and what it all even means when it's done live: all this and more gets hashed out here.
Rocco Renzetti was the first Philly musician Dan met when he moved to the city so many years ago. Dan and Rocco talk about Rocco's upbringing in the Philly during the years when the city wasn't the most desirable place to hang out, and what they think about it being a destination nowadays for music and more. Rocco details his former project, Elevator Parade, and how his following project, New Speedway, began to form out of it, as well as the many forms of psychedelia that have influenced him.